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Bronislava Nijinska : ウィキペディア英語版 | Bronislava Nijinska
Bronislava Nijinska ((ベラルーシ語:Браніслава Ніжынская); (ポーランド語:Bronisława Niżyńska); (ロシア語:Бронисла́ва Фоми́нична Нижи́нская), ''Bronislava Fominichna Nizhinskaya'') ( — February 21, 1972) was a Polish dancer, choreographer, and teacher.〔Carnes, Mark C. (2003). "Bronislava Nijinska". Invisible Giants: Fifty Americans Who Shaped the Nation But Missed the History Books. Oxford University Press. pp. 214–220. ISBN 978-0-19-516883-9.〕 Nijinska played a leading role in the pioneering movement that turned against 19th-century Classicism, which paved the way for neoclassical works to come.〔Greskovic, Robert. Ballet 101: A complete guide to learning and loving the ballet. Hal Leonard Corporation, 1998.〕 A breakthrough came in 1910, when she created her first solo, the role Papillon in ''Le Carnival''. ==Early life== Nijinska was born in Minsk, the third child of the Polish dancers Tomasz Nijinsky and Eleonora Nijinska (maiden name Bereda). She was the younger sister of the renowned dancer Vaslav Nijinsky (Wacław Niżyński). Early on in life Nijinska learned folk dances at home. Her parents taught her Polish, Hungarian, Italian, and Russian folk dances. Additionally her father taught her some acrobatics which she later incorporated into some of her choreographic works.〔Makaryk, Irena Rima, and Virlana Tkacz, eds. Modernism in Kiev: Kyiv/Kyïv/Kiev/Kijów/Ḳieṿ: Jubilant Experimentation. University of Toronto Press, 2010.〕 She was four years old when she made her theatrical debut in a Christmas pageant with her brothers in Nizhny Novgorod.〔Nižinska, Bronislava. Bronislava Nijinska: Early Memoirs. Duke University Press, 1992.〕 Nijinska trained with Enrico Cecchetti before joining the Imperial Ballet School in 1900. She was a student there until 1908 and was taught by Nicolai Legat and Mikhail Fokine.〔Sanders, Lorna. "Les Noces (Svadebka/The Wedding)." The Dancing Times. Oct. 2004: 48-53. Print. 〕
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